sprung rhythm การใช้

• Jeffers experimented with sprung rhythm as an alternative to accentual rhythm.
• Hopkins'major innovation was what he called sprung rhythm.
• Hopkins called his own rhythmic structure sprung rhythm.
• Gerard Manley Hopkins wrote many of his poems in six-foot iambic and sprung rhythm lines.
• Joseph Gelineau : a simple vernacular, arranged in sprung rhythm to be suitable for liturgical song and chant ( see : Gelineau psalmody ).
• The poem has attracted considerable critical attention, and is often considered Hopkins'masterpiece because of its length, ambition, and use of sprung rhythm and instress.
• His unusual style ( involving what he called " sprung rhythm " and heavy reliance on rhyme and alliteration ) had a considerable influence on many of the poets of the 1940s.
• Sprung rhythm is structured around feet with a variable number of syllables, generally between one and four syllables per foot, with the stress always falling on the first syllable in a foot.
• There are echoes of Hopkins'mouth-filling sprung rhythm, Stevens'vibrant wordplay and Pound's obsurantist intertextuality . "-Adam Sobsey, " Indy Week ".
• His thesis on sprung rhythm in the poetry of Gerard Manley Hopkins ( see " An Ong Reader ", 2002 : 111-74 ) was supervised by the young Canadian Marshall McLuhan.
• The players make clear the difference between Bartok's sprung rhythms and Stravinsky's more rigid ones, which resist any introduction of rubato, a crucial distinction that is not always apparent on the page.
• Thomas's early poetry was noted for its verbal density, alliteration, sprung rhythm and internal rhyme, and he was described by some critics as having been influenced by the English poet Gerard Manley Hopkins.
• He has worked closely with poet Jessica Hornik, and his settings of three of her poems is included in the album " Sprung Rhythm " by the Washington DC ensemble Inscape, which was nominated for the 2014 Grammy award.
• However, while sprung rhythm allows for an indeterminate number of syllables to a foot, Hopkins was very careful to keep the number of feet per line consistent across each individual work, a trait that free verse does not share.
• From the sprung rhythms and tart slide licks of'Old Brown Shoe'to the crunching satire of'Devil's Radio,'it is a pleasure to hear a pair of past masters bring out the best in each other ."
• Gerard Manley Hopkins took this idea of poetric energy through departure from meter to its extreme, with his theory and practice of sprung rhythm, an approach to poetry in which the language constantly frustrates the reading mind's expectation of a regular meter.
• Hopkins saw sprung rhythm as a way to escape the constraints of running rhythm, which he said inevitably pushed poetry written in it to become " same and tame . " In this way, Hopkins sprung rhythm can be seen as anticipating much of free verse.
• Hopkins saw sprung rhythm as a way to escape the constraints of running rhythm, which he said inevitably pushed poetry written in it to become " same and tame . " In this way, Hopkins sprung rhythm can be seen as anticipating much of free verse.
• Subtitles are used for the non-French market; the English language version use Anthony Burgess's translation of the text, which uses five-beat lines with a varying number of syllables and a regular couplet rhyming scheme, in other words, a sprung rhythm.
• Sprung rhythm may be classed as a form of accentual verse, due to its being stress-timed, rather than syllable-timed, and while sprung rhythm did not become a popular literary form, Hopkins's advocacy did assist in a revival of accentual verse more generally.